https://heatherdiack.com/news-1 daily 0.75 2023-02-17 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/2af9b92c-e3c1-42f3-8629-d073b7ddf0d3/or+gallery+main+page.png https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/069df2a8-852d-4354-8890-c5e56ec600f7/01_And+so+with+ends+comes+beginings_image1.jpg https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/b5288958-1ef6-4521-862a-17538dd4bb18/IMG_4093.jpeg https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/886733db-46c6-405e-a413-963689011058/928360B7-5204-45BD-B33D-F993BD95C918.jpg https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/847e735c-2602-485d-b0ce-dbae94ed2848/IMG_4092.jpeg https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/8642682c-2f0d-4258-82e5-9180a3878652/291867738_10159338479396225_314537062390386609_n.jpg https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/f6089411-846e-4e03-98d8-5106a7acdf77/7CDE3764-DC49-4DD8-98A2-C163F61955DA.jpeg https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/9ae1a761-b736-435c-aadb-714da5b68e24/tempImage7eMfEx.jpg News - Essential Work: Heather Diack in conversation with Civil Rights photographer, educator, artist, and activist Dr. Doris Derby. (hosted by four corners gallery, London, UK) Thursday 24 March 2022, 6 pm, Online https://www.fourcornersfilm.co.uk/whats-on/essential-work Image: Doris Derby, Women’s Sewing Cooperative, Mississippi, 1968 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1629731090602-A695NRKY77L2UGEK1XZJ/Unknown.png News https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1614012174406-YQ4J75YNG7TTCT8J92WP/maxresdefault.jpg News - Documents of Doubt Book Talk, Wednesday, February 10, 2021, 8 pm. Hosted by Books & Books (Coral Gables) and the University of Miami College of Arts & Sciences’ Center for the Humanities. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1614011795049-IH45JZLIIUV85G8EMJJF/Screen+Shot+2021-02-22+at+11.29.39+AM.png News - "Global Photography: Critical Histories," UAAC 2020 Terri Weissman and I co-chaired a panel on Friday, October 16th, 2020 between 2-3:30 pm PST entitled "Global Photography: Critical Histories," as part of the Universities Art Association of Canada conference. The panel featured Dr. Andrew Gayed (New York University) with a detailed case study of the history of photographic advancement in the Middle East, incorporating studies in the history of photography, critical race theory, and gender and queer studies; Dr. Susan Laxton (University of California, Riverside) rethinking photographic history globally, by examining the tripartite entanglements of French, American and Japanese photographic practices at midcentury; and a conversation between photography historian Dr. Erina Duganne and Korean-born Vancouver-based artist Jin-me Yoon, considering Yoon’s 30 years of artistic creation. Beginning with her early conceptual-based photographic practice, they discussed how Yoon has used her work to both problematize and subvert stereotypes and assumptions related to gender, maternity, race, culture, and nationality. [images: 10th century Iraqi mathematician and scientist Abu Ali Al-Hasan Ibn Al-Haytham, who was foundation to the history of photography for his Book on Optics (1011-21); Jin-me Yoon, Long View #1, 2017; William Klein, Dance Happening, 1961.] #uaac2020 https://heatherdiack.com/news-1/public-lecture-with-qa-migration-materials-meaning-may-5-2021-henry-moore-institute-leeds-uk-in-conjunction-with-exhibition-portable-sculpture monthly 0.5 2021-08-23 https://heatherdiack.com/news-1/event-one-hgwg5 monthly 0.5 2021-04-14 https://heatherdiack.com/news-1/event-two-scs9y monthly 0.5 2021-02-20 https://heatherdiack.com/about daily 0.75 2021-01-07 https://images.squarespace-cdn.com/content/v1/5ce435d6bea1ed00016ba287/1558964652247-5MWXNMFZVOPGE4TY6U2Q/MHeiderich_ReflexionenZwei-05-copy.jpg About https://heatherdiack.com/heatherdiack daily 1.0 2024-11-22 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612304101835-K8DZPJNHP8OM2APYXZEI/Global+Photo+Cover.jpg h.diack@miami.edu Global Photography: A Critical History (London: Routledge, 2020) with Erina Duganne and Terri Weissman. Rather than isolate international contemporary photographic practices from their historical pasts, this collaborative project considers the two in relation to each other so as to bring out important and often overlooked interconnections and convergences while reevaluating dominant narratives within the history of photography. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612304065180-QRTCERPCEARCJ6DNFA27/image_large.jpeg h.diack@miami.edu https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612648938797-VP5HH6HP6UZPDWHL1TFC/rpho20.v010.i03.jpeg h.diack@miami.edu “Not Just Pictures: Reassessing Critical Models for 1980s Photography,” Beyond the Pictures Generation: Reassessing Critical Models for 1980s Photography, Special Journal Issue of photographies, 10.3 (London, U.K.: Taylor and Francis, Autumn 2017) 235-243. [co-authored with Erina Duganne]. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812332564-W7BDJH3V6GBQMBJHY206/featured00_430x.jpg h.diack@miami.edu “Anastasia Samoylova: Floodzone” at DotFiftyOne Gallery, Miami, June 19- September 19, 2020. Artforum.com, June 2020. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/15e67b83-5ab4-4e05-867e-9589239095d3/DL_1963.09SixteenthStreetFuneral.jpg h.diack@miami.edu “Essential Work: An Interview with Civil Rights photographer, educator, artist, and activist Dr. Doris Derby,” MAI: Feminism & Visual Culture, Photography & Resistance issue, ed. Kylie Thomas (Sweden: University of Gothenberg). Published June 27, 2022. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612372094858-ZHR7KXO1YZSIMHB6LOIT/resize-format%253Dfull.jpg h.diack@miami.edu Blasted Allegories: Photography as Experience, Lowe Art Museum, Miami, 2016-2017 [cover image credit: John Baldessari, Blasted Allegories, 1978 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612648967218-75OM3EWYO904DUCNE4PU/_jpg_rgb_1500h.jpg h.diack@miami.edu “Keeping a Straight Face: Photography and the Performance of Conceptual Art,” Photography Performing Humor, eds. Mieke Bleyen and Liesbeth Decan, Lieven Gevaert Series (Leuven, Belgium: Leuven University Press, 2019) 144-158. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612810214849-DS4O8T55TQPV308CNA1O/carrie-mae-weems-black-man-with-a-watermelon..jpg h.diack@miami.edu Carrie Mae Weems, Black Man With A Watermelon, 1987-88 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812364048-N75UN3ERRCHVMRQNKSYF/featured00_810x.jpg h.diack@miami.edu “Teresita Fernández: Elemental” at Perez Art Museum Miami, October 18, 2019 -February 9, 2020. Artforum.com, November 2019. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1667153040286-AHU883WSL8AIDCWYA07O/474A5639-7577-496C-B9EE-87F46B584BA0.jpg h.diack@miami.edu “Stop and think before you share that harrowing picture on social media,” The San Francisco Chronicle, April 24, 2022 (in print and online) https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612371554991-XXJZSHKD90JFXRXSDG1K/68_001.jpg h.diack@miami.edu Photography Collected Us, University of Toronto Art Centre, 2012 [cover image credit: Robert Frank, Chattanooga, Tennessee, 1955] https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612649002696-7NED7NRGKLVY8QS3A8T2/0_nauman-acontempory-ed-07_7b3d7193.jpg h.diack@miami.edu "Knot Again: Pratfall as Praxis in the Work of Bruce Nauman,” Bruce Nauman: A Contemporary, ed. Eva Ehninger (Basel, Switzerland: The Laurenz Foundation, 2019) 27-54. (Includes German translation: “Wiederholungszwang: Un-Fall als Praxis im Werk von Bruce Nauman“). https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612810284536-G5LFJUXLP95O8W4VORUU/Santa-Claus_FS-II.266-3-e1563902938454-1024x1024.jpg h.diack@miami.edu Andy Warhol, Santa Claus, 1981 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812413215-16N9L2B627AN5MPHFOOR/picksimg_430x.jpg h.diack@miami.edu “Shannon Ebner: A Public Character” at Institute of Contemporary Art Miami, Artforum.com, December 2015. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/7206c3ab-f7fd-4774-84cb-d74c24b83504/Screen+Shot+2021-04-14+at+1.35.07+PM.png h.diack@miami.edu In Conversation with Mel Bochner, March 11, 2021, ICA Miami https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612649055817-PNLOEZ85YURAQ7Y2ZTGK/rvst20.v030.i02.jpeg h.diack@miami.edu “Hand Over Fist: A Chronicle of Cold War Photography,” Visual Studies, Vol. 30, No. 2, eds. Thy Phu, Sarah Bassnett, Andrea Noble, (London: Routledge, 2015) 182-194. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812475976-S1OE6R5243G9TYXFSV82/the-critic-laughs.jpg h.diack@miami.edu “Richard Hamilton” curated by Mark Godfrey, Paul Schimmel and Vicente Todolí with Hannah Dewar. Exhibition organized by the Museo Nacional Centro de Arte Reina Sofía in collaboration with Tate Modern, at Tate Modern, London, UK. Miami Rail, Summer 2014. In print and online. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613758994961-VW50T0GXXBDKE9S5OULZ/IMG_6727+2.jpeg h.diack@miami.edu *“A Relative Medium,” Jasmine Justice: Fact Tricks. (Waldkraiburg, Germany: Haus der Kultur Stadische Galerie Waldkraiburg, 2016). n.p. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1c9499e1-95f2-4cf5-9723-639a6252b05f/175889334_2484551295024961_8080096329401050365_n.jpg h.diack@miami.edu ArtLab @ the Lowe Exhibition Launch April 22, 2021 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612649169595-JBQOW3G61EL52HHU8JTR/9782753574533-us.jpg h.diack@miami.edu “« À nous deux, nous formons une multitude » Les relations au sein de la « famille humaine » conceptuelle de Douglas Huebler,” L'art de Douglas Huebler, eds. Christophe Viart, Alexander Streitberger, and Anaël Lejeune (Rennes, France: Presses Universitaires de Rennes, 2018) 139-152. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812492567-HIGNQU7ZKMDQCRUB7JBS/picksimg_430x-5.jpg h.diack@miami.edu “Dawoud Bey: Picturing People” at North Miami Museum of Contemporary Art, Miami, Artforum.com, August 2013. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613759856061-2RBYF6SM57KIAF1CET6U/80.227.10_01_b02-Large-TIFF_4000-pixels-long.jpg h.diack@miami.edu “Body of Evidence: The Modernisms of Manuel Alvarez Bravo,” Pan American Modernism: Avant-Garde Art in Latin America and in the U.S., ed. Nathan Timpano (Miami: Lowe Art Museum, 2013) 52-73. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/ed4e25f2-7f61-4e87-a9f1-260ce3f26e32/event-heather-diack-alys-tile.jpg h.diack@miami.edu "All in the Same Boat: Migratory Passages in Contemporary Sculpture," lecture presented for the Henry Moore Institute, June 9, 2021. Dr Heather Diack discusses a growing body of international art focused on boats, as unstable vessels and perilous objects. These works flow into a ‘migratory turn’ in contemporary art, joining a flood of artworks that evoke mass human migration as both subject matter and approach. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612813872713-4QXFBKZB19EUH8LJZFVC/mini_magick20190225-18682-15ihrwd.jpg h.diack@miami.edu “Indecisive Moments: Proliferation and the Passerby in Conceptual Photography,” The “Public” Life of Photographs, ed. Thierry Gervais (Cambridge, Mass. and Toronto, Canada: M.I.T. Press and Ryerson Image Center, 2016), 219-245. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812510826-PN4BGMKE1BCIP8B22PY9/121_MUNOZ-OSCAR_SEDIMENTACIONES.jpg h.diack@miami.edu “Permission to be Global: Latin American Art from the Ella Fontanals-Cisneros Collection,” Miami Rail, Spring 2014: 62-64. Print and online. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613760017874-57K6RJ9SU3PP7XJF7UA7/altarations-schmidtinstallation-5-lowres.jpg h.diack@miami.edu “Facts of Matter: Regarding the Altarity of Contemporary Photography,” Altarations: Built, Blended, Processed, eds. Rod Faulds and Jeanie Grieble (Boca Raton: Florida Atlantic University Gallery, 2015): 7-9. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/3f0525f8-6d56-44c0-b9fe-75547652e3c1/Global+Photo+Image+1.png h.diack@miami.edu Hosted by the University of New Mexico Art Museum and the Krannert Art Museum at the University of Illinois, this virtual symposium questioned how thinking creatively and critically through photography’s temporalities and spatial logics can open up new models for considering global photographic practices. Speakers include: Subhankar Banerjee, Samaneh Moafi, Thy Phu, Christopher Pinney, Leigh Raiford, Mark Sealy, Fiona Tan, and Will Wilson. Co-organized and moderated by Mary Statzer, Heather Diack, Erina Duganne, and Terri Weissman. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612649194684-VRQ4ABFLDLA3CWO7IXXQ/wpid-1166130809PP14Cover_web.jpg h.diack@miami.edu “Too Close to Home: Rethinking Representation in Martha Rosler’s Photomontages of War,” Prefix Photo 14 (Fall/Winter 2006): 56-69. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812527458-5776JT80LUVTV3O8DB1F/410rTMNYcqL._SX306_BO1%2C204%2C203%2C200_.jpg h.diack@miami.edu [Book review] Lisa Saltzman, Daguerreotypes: Fugitive Subjects, Contemporary Objects (University of Chicago Press, 2015), History of Photography no. 40:3 (2016): 358-359. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613760932203-Z6XGQONGKS3534HR1RUG/Neo_P_1.jpg h.diack@miami.edu “Strike a Pose: The Diaspora of Brendan Fernandes’ Decoy.” Catalogue essay for exhibition Decoy at Artspace, Peterborough, Ontario, 2007. n.p. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/a0103288-d744-4369-990d-c19866aae2ff/Diack_WOPHA_Cwynar.png h.diack@miami.edu Women, Photography, Feminisms: WOPHA/Women Photographers International Archive Congress, November 18, 2021. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612649212546-ZNMB3VWYZES1TS7JI9Z3/37-2-cover_orig.png h.diack@miami.edu “Humour as Conceptual Critique: A Historic Repression and a Contemporary Legacy,” eds. Dominic Hardy, Annie Gérin, Jean-Philippe Uzel, REVUE D’ART CANADIEN/CANADIAN ART REVIEW (RACAR), Special Issue: Humour in the visual arts and visual culture: practices, theories and histories / L’humour dans les arts et la culture visuels : pratiques, théories et histoires (Spring 2012): 75-86. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612810199890-IGN6RBVLNOFEFCTIOS0O/ABUSEPOWER.jpg%2C1440.jpg h.diack@miami.edu Jenny Holzer, Abuse of Power Comes as No Surprise, 1983 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812549586-OZ2Y6Q8RWTQ29VJ3P58T/picksimg_430x-1.jpg h.diack@miami.edu “Egan Frantz” at Michael Jon Gallery, Miami, Artforum.com, December 2014. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613761433150-CM2LLMHYPPJ99DC4TZMG/surface_2010.jpg h.diack@miami.edu *“Liliane Tomasko and the Texture of Light,” Liliane Tomasko: Mother-Matrix-Matter, ed. Jill Deupi (Miami, FL.: Lowe Art Museum, 2015): 8- 9. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612649228489-ZB4YQ44FV3VCMY20AEKP/page_1_thumb_large.jpg h.diack@miami.edu “Sleepless Nights: Contemporary Art & the Culture of Performance,” eds. Jennifer Fischer and Jim Drobnick, Public Issue 45: Art and Civic Spectacle, Spring 2012: 8- 22. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812568666-GCKY8AHKSCZTK1JBQ29V/picksimg_430x-2.jpg h.diack@miami.edu “Dispatch: War Photographs in Print, 1854-2008,” curated by Thierry Gervais at Ryerson Image Center, Toronto. Artforum.com, October 2014. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613762822018-NX18SCK1ZOFTOC2IN094/06kw5.jpg h.diack@miami.edu “Distance Makes the Heart Grow Fonder,” The Make Station, exh. cat. Gallery 44 centre for contemporary photography, June 5- July 4, 2009. n.p. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/03d35cc2-33b8-447f-9aa3-484534259a3a/Screen_Shot_2021-03-10_at_8.02.35_AM.png h.diack@miami.edu Alec Soth, Advantage Inn, 2006 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612649296756-IIDZZ2ZT764ADSVPINU2/photo+and+doubt.jpg h.diack@miami.edu “Clouded Judgment: Conceptual Art and Photography,” Photography and Doubt, eds. Andrés Zervigón and Sabine Kriebel (London: Routledge Books, 2016) 218-236. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613763243313-7WW18B1DO9DXLYM5554Q/lowell-art.jpg h.diack@miami.edu “Amnesia and Abstraction: Lowell Bradshaw’s Recent Paintings,” Lowell Bradshaw: No Signal, (Chatham, Ontario: Thames Art Gallery, 2015): n.p. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/7be45441-9a2e-4e45-b871-c6d0523fce20/Weegee_Critic.jpg h.diack@miami.edu Weegee, The Critic, 1941 (printed ca. 1940s) https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613765522688-1NEE95ZLIJ3192T8K7AW/hqdefault.jpg h.diack@miami.edu “Activating Exodus: The Art of Melissa Shiff,” Afterimage: journal of media arts and cultural criticism, Vol. 36.7 (Fall 2006): 58-62. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/fe0fe8b3-309c-4d48-a58f-598acaad22b5/175889334_2484551295024961_8080096329401050365_n.jpg h.diack@miami.edu The Distance Between You and Me is Us, Lowe Art Museum, University of Miami, 2021 [image credit: Albert Coya, Dancing Couple, undated (pre-1997)]. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/f3957241-90ea-41aa-8828-30ee8a57d19d/20132.jpg h.diack@miami.edu Mary Ellen Mark, Tiny in her Halloween Costume, Seattle, Washington, 1983 https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/066efe9b-6908-4431-b1e6-2d81203c3499/01_FloodZone_HistoryMiami.jpg h.diack@miami.edu Anastasia Samoylova: FloodZone, HistoryMiami Museum, 14 October 2021- 15 April 2022 [authored exhibition wall text]. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/5e6fa0aa-0ed5-4648-af1b-cfe97101cc0d/DBPP2022+Image.png h.diack@miami.edu “Life on Planet Florida,” The Deutsche Börse Photography Foundation Prize 2022, exhibition catalogue featuring Anastasia Samoylova, Deana Lawson, Gilles Peress, and Jo Ractliffe. ed. Katrina Schwarz (London: The Photographers' Gallery, 2022), 21-22. Accompanying DBPP exhibition at The Photographers’ Gallery, London 25 March – 12 June 2022. Image credit: Anastasia Samoylova. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812587017-1RGR5ZFVZUB8NOPIEL1L/picksimg_430x-3.jpg h.diack@miami.edu “Yael Bartana: Inferno” at Perez Art Museum Miami, Artforum.com, January 2014. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812606494-ADBNPQ6WC8O8SV1Q0YE8/picksimg_large-1.jpg h.diack@miami.edu “Martin Kippenberger: Sehr Gut” at Hamburgerbanhof, Berlin, GR. Artforum.com, August 2013. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812629651-OXLF1HWSOKQH9IROJWBT/unnamed+copy.jpg h.diack@miami.edu *[Book review] Katherine Guinness, Schizogenesis: The Art of Rosemarie Trockel (University of Minnesota Press, 2019) caa.reviews (published September 3, 2020) https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812648300-OLGZ51E9VDTNMKBQ75PV/unnamed.jpg h.diack@miami.edu [Exhibition and catalogue review] This Place, Norton Museum of Art, curator: Charlotte Cotton. caa.reviews (published October 13, 2016). https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812670225-C2SFJJ6ADFCIUDS3BA3V/d7hftxdivxxvm.cloudfront.net.jpeg h.diack@miami.edu “Nina Katchadourian: Seat Assignment” at Cecilia Brunson Projects, London, UK. Artforum.com, May 2014. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812683250-Q0T84OJ1YQP68E1LA3IN/Paolo-Gasparini_Caracas-and-Its-Architecture.jpg h.diack@miami.edu “Urbes Mutantes: Latin American Photography 1944-2013” curated by Alexis Fabry and María Wills at International Center of Photography, New York, NY. Miami Rail, Fall 2014. In print and online. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1612812972032-17PVYOXESNITP1L4NSPE/picksimg_430x-4.jpg h.diack@miami.edu “Deferred Archive” at Cisneros Fontanals Art Foundation (CIFO), Miami, Artforum.com, October 2013. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613759074437-J8RUARPOAGNH91ZZLZYG/20100728-macdonnell-mulherin.jpg h.diack@miami.edu “Annie MacDonell: Beside the midnight lake," at Katharine Mulherin Gallery,” C magazine for Contemporary Art, no. 108 (Winter 2010): 44-45. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613759337657-1QNO6H2XDTVICNUUWA17/2008_Wurm_vueexpo10-1048x704.jpg h.diack@miami.edu “Erwin Wurm: Ethics and Equilibrium,” review of UQAM exhibition (curated by Patrice Duhamel), Canadian Art magazine (Spring 2009): 100-101. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613759599273-EPZGM4CG8BUPB096572Y/9.jpg h.diack@miami.edu “Sign Language as Politics,” (exh. review of ‘infinitu et contini: repeated histories, reinvented resistance’ at Smack Mellon, Brooklyn, New York, Nov. 17- Dec. 30, 2007), Afterimage: journal of media arts and cultural criticism, Vol. 35.5 (March-April 2008): 17-18. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/1613760195718-HEQX5JXJRRKLKT9AGG20/%3Fcollid%3Dbooks_covers_0%26isbn%3D9780262550703%26type%3D.jpg h.diack@miami.edu “Operating Without a License,” review of Appropriation: Documents of Contemporary Art ed. David Evans. (Cambridge: MIT Press, 2009), Afterimage: journal of media arts and cultural criticism, Vol. 36.6 (May-June 2009): 36-37. https://images.squarespace-cdn.com/content/v1/5edab394315ec7404ca70bbf/61f10438-3412-4893-a88e-a2e59565e634/09_untitled_dmaar_1934_6.jpg h.diack@miami.edu [Book review] Dora Maar eds. Damarice Amao, Amanda Maddox, and Karolina Ziebinska-Lewandowska (Los Angeles and London: Getty Museum and Tate Publishing, 2020) H-France Review Vol. 21 (October 2021), No. 187. https://heatherdiack.com/contact daily 0.75 2024-11-22 https://images.squarespace-cdn.com/content/v1/5ce435d6bea1ed00016ba287/1558964652247-5MWXNMFZVOPGE4TY6U2Q/MHeiderich_ReflexionenZwei-05-copy.jpg Contact https://heatherdiack.com/press daily 0.75 2020-12-17 https://images.squarespace-cdn.com/content/v1/5ce435d6bea1ed00016ba287/1558964652247-5MWXNMFZVOPGE4TY6U2Q/MHeiderich_ReflexionenZwei-05-copy.jpg Press https://heatherdiack.com/news daily 0.75 2021-04-05